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The painter’s debut solo present, on view at Jeffrey Deitch, interrogates the character of self-image and cultural illustration
In Sasha Gordon’s Virtually A Very Uncommon Factor (2022), two figures sit throughout from one another in a ship floating on a darkish blue pond, dotted with lily pads. They’re twins, and tough self-portraits of the artist herself, with enlarged, darkish eyes and a slight pallor to the pores and skin. The Sasha on the appropriate presents a lock of hair, yanked from the again of her cranium, to the Sasha on the left, who outstretches her hand in tentative acceptance.
The portray is without doubt one of the standouts from Gordon’s debut solo present at Jeffrey Deitch Gallery, which opened on Might 7. The physique of labor, as an entire, rests on the intersection of actual and surreal, embodying the “sense of unease that may happen when observing one’s personal picture, behaviors, and actions,” within the phrases of Deitch’s press launch.
Left: Set up view. Proper: Element from Virtually A Very Uncommon Factor, 2022.
The present is titled Palms of Others: a nod to the skin influences that complicate autonomy, inflicting Gordon’s figures to behave within the uncanny methods they have an inclination to do. The hand manifests bodily within the portray, disorienting its characters—it represents biracial Asian id, physique picture, heteronormativity, and whiteness in flip.
The present is endearing—weak, unusual, and fascinating without delay. “By portraying totally different variations of her persona as each the topic and the observer finishing up her personal judgments and self-expectations,” continues the press launch, “Gordon’s work addresses inner conflicts and the psychological conditioning of cultural illustration.”
Sasha Gordon’s Palms of Others is on show at Jeffrey Deitch’s Grand Avenue location via June 25.
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