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‘CYRANO DE BERGERAC’ There isn’t any scarcity of variations on Edmond Rostand’s Nineteenth-century play “Cyrano de Bergerac,” through which the sensible however big-nosed Cyrano writes stunning love poems that his good-looking however — let’s say, much less sensible — comrade Christian passes off for his personal to impress Roxane, a lady whom Cyrano himself loves. Subsequent up is the Jamie Lloyd Firm’s “Cyrano de Bergerac,” tailored by Martin Crimp and directed by Lloyd, which is able to come to Brooklyn from a critically acclaimed run in London. It’s a slick, fashionable model, with Cyrano utilizing rap and spoken phrase as his technique of seduction. Starring as Cyrano is James McAvoy, who typically appears to change his very foundations — his voice and mannerisms, his power, his entire bodily presence — for a task. MAYA PHILLIPS
Previews start April 5; opens April 14 on the Harvey Theater, Brooklyn Academy of Music.
‘A CASE FOR THE EXISTENCE OF GOD’ Samuel D. Hunter has constructed a wealthy oeuvre from fertile floor: the Idaho landscapes of his youth. His deceptively quiet performs (“Lewiston/ Clarkston,” “A Brilliant New Boise,” “Larger Clements”) discover religion, need, intercourse and loss, in dialogue attuned to the rhythms of bizarre speech. The MacArthur Basis acknowledged his potential to create “dramas that discover the human capability for empathy and confront the socially isolating elements of latest life throughout the American panorama.” This new play, directed by David Cromer, is once more set in Idaho — and is maybe probably the most intimate he has written. It has simply two characters, males working to know what the world does and doesn’t owe them. Although Hunter typically prefers characters on what he calls “the shedding finish of American life,” he has promised that this new play is hopeful. ALEXIS SOLOSKI
Previews start April 12; opens Might 2 at Signature Theater, Manhattan.
‘WISH YOU WERE HERE’ The vagaries of postponements and rescheduling now give us two practically simultaneous alternatives to find the world of Sanaz Toossi, a younger first-generation Iranian American playwright from Orange County, Calif. Sizzling on the heels of “English” (on the Atlantic Theater Firm), which seems to be at a small group of Iranians getting ready for the Check of English as a International Language, “Want You Had been Right here” follows 5 younger girls in Karaj, a suburb of Tehran. (The actress Marjan Neshat seems in each reveals.) They’re about 20 when the play begins, in 1978, and we stick with them till 1991 as they navigate not solely their friendship, but in addition their sense of dwelling and belonging. A revolution is unfolding, adopted by battle with Iraq; life-changing choices should be made. Toossi reunites with Gaye Taylor Upchurch, who directed final 12 months’s audio model from the Williamsburg Theater Competition and Audible. ELISABETH VINCENTELLI
Previews start April 13; opens Might 2 at Playwrights Horizons, Manhattan.
‘WEDDING BAND’ Alice Childress was a drive to be reckoned with within the theater, even when she didn’t at all times get her due. In spite of everything, she would have been the primary Black feminine playwright on Broadway if she hadn’t refused to compromise on her work. That will-be first was her play “Bother in Thoughts,” which lastly premiered on Broadway final fall. How lucky we’re to get her follow-up to “Bother,” “Wedding ceremony Band,” a not often produced play about a bootleg interracial relationship within the South throughout World Conflict I. Awoye Timpo directs this, solely the second New York manufacturing, with fashionable race politics — together with the Black Lives Matter motion — as the difficulty in thoughts. MAYA PHILLIPS
Previews start April 23; opens Might 1 at Polonsky Shakespeare Heart, Theater for a New Viewers, Brooklyn.
‘THE BEDWETTER’ Sorry, “Urinetown,” you’re not the one musical a couple of sure bodily perform anymore. Subtitled “Tales of Redemption, Braveness, and Pee” Sarah Silverman’s 2010 memoir is frank, weak and, after all, brutally humorous. Chances are high good these qualities shall be current on this musical adaptation, since Silverman herself wrote the ebook with the playwright Joshua Harmon (“Prayer for the French Republic”), in addition to the lyrics, with the composer Adam Schlesinger. The present is certain to be bittersweet: Schlesinger, who’s finest recognized for his scores for Broadway’s “Cry-Child” and the TV sequence “Loopy Ex-Girlfriend,” died of coronavirus problems in April 2020, across the time “The Bedwetter” was initially scheduled to premiere. ELISABETH VINCENTELLI
Previews start April 30; opens Might 23 on the Linda Gross Theater, Atlantic Theater Firm.
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