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On Sunday, March 27, 2022 at 5:00pm, the Wet Ink Ensemble seems on the Tenri Cultural Institute for a live performance of premieres. This system incorporates a new work by 2021-22 Artist-in-Residence Katherine Young, We’re all lichens for bass flute, tenor saxophone, violin, cello, suggestions piano, drum equipment, and reside electronics, wherein improvisation permeates the piece as musicians improvise prolonged passages based mostly on fastidiously workshopped supplies.
The live performance additionally consists of the premiere of the total model of Rick Burkhardt’s TED for talking violinist and talking pianist, wherein the musicians ship a “TED discuss” interspersed with otherworldly chant. The Ensemble moreover premieres a brand new work for solo piccolo by Peter Evans, Message From the Stars, to be carried out by Erin Lesser, who may even report the piece for an upcoming album containing solo works for flute and piano by Evans; in addition to the primary efficiency of the revised model of Or We Do not Want Gentle by Mariel Roberts.
This system will conclude with Katherine Younger becoming a member of Moist Ink for Eric Wubbels‘ modules/relationships Tenri [3/27/22], which is a versatile work introduced in a brand new model with every efficiency.
Live performance Data
Moist Ink Giant Ensemble
Sunday, March 27, 2022 at 5:00pm
Tenri Cultural Institute | 43A W thirteenth St | New York, NY 10011
Tickets: $10 normal admission, free for college kids
Hyperlink: https://www.eventbrite.com/e/air-concerts-03-spring-premieres-tickets-269300373667
KATHERINE YOUNG: We’re all lichens (2022)
RICK BURKHARDT: TED (2013-2022)
MARIEL ROBERTS: Or We Do not Want Gentle (2021, rev. 2022)
PETER EVANS: Message From the Stars (2020)
feat. Erin Lesser
ERIC WUBBELS: modules/relationships Tenri [3/27/22]
Moist Ink Ensemble:
Katherine Younger, bassoon
Erin Lesser, flutes
Alex Mincek, tenor saxophone
Ian Antonio, percussion
Eric Wubbels, piano
Josh Modney, violin
Mariel Roberts, cello
Sam Pluta, electronics
Proof of vaccination required (photograph of vaccination card OR Excelsior Go, plus photograph ID). Masks should be worn contained in the venue always.
About Moist Ink Ensemble
The Moist Ink Ensemble is a collective of composers, performers, and improvisers devoted to adventurous music-making. Named “The Greatest Classical Music Ensemble of 2018” by The New York Occasions, Moist Ink’s work is rooted in an ethos of innovation by collaboration, extending from the music and the distinctive efficiency follow developed within the “band” ambiance of Moist Ink’s core ensemble of composer-performers, to tasks with a broad vary of famend creators, from Evan Parker to George Lewis to Peter Ablinger, and dedicated performances of music by younger and underrepresented composers, from immediately’s most promising rising voices to the following technology of artists.
Hailed for “sublimely exploratory” (The Chicago Reader) and “dense, wild, but artfully managed” (The New York Occasions) performances and “uncompromisingly authentic music by its members, and unflagging perception within the energy of collaboration” (The New Yorker), Moist Ink has been presenting live shows of recent music on the highest degree in New York Metropolis and world wide for over 20 years. Moist Ink’s programming celebrates the nexus of composition, improvisation and interpretation, from early collaborations with Christian Wolff and ZS to pioneering portrait live shows of Peter Ablinger, Mathias Spahlinger, Anthony Braxton, and the AACM composers, work with famend artistic musicians reminiscent of Ingrid Laubrock, Peter Evans, Darius Jones, and Katherine Younger, and long-term collaborative tasks with Moist Ink’s 4 acclaimed composer-members (Alex Mincek, Sam Pluta, Kate Soper, and Eric Wubbels). In Could 2020, the ensemble launched Moist Ink Archive, a web based journal of adventurous music that includes writings and recordings by a variety of artists (please go to at archive.wetink.org).
Moist Ink has been in residence at establishments together with Duke College, EMPAC (Experimental Media and Performing Arts Heart), Columbia College, the Royal Academy of Music (UK), and The Walden Faculty, amongst many others, and has been featured on quite a few recordings. Highlights embody Katharina Rosenberger’s TEXTUREN, which was awarded a German File Critics Prize, and solo data by Alex Mincek (Torrent), Kate Soper (IPSA DIXIT), Sam Pluta (Damaged Symmetries), Eric Wubbels (Duos with Piano, E-book 1), and Josh Modney (Interact), all of which have been celebrated on varied “Better of” lists by The New York Occasions, The New Yorker, Bandcamp Each day, Sequenza 21, and The Nation. Moist Ink has launched 4 acclaimed solo albums (Moist Ink Ensemble; Relay; Moist Ink: 20, which options the Moist Ink Giant Ensemble; and Glossolalia/Strains on Black).
Moist Ink is co-directed by an octet of world class composers, improvisers, and interpreters that collaborate in band-like trend, writing, improvising, getting ready, and touring items collectively over lengthy stretches of time. These administrators are Erin Lesser (flutes), Alex Mincek (saxophone), Ian Antonio (percussion), Eric Wubbels (piano), Josh Modney (violin), Mariel Roberts (cello), Kate Soper (voice), and Sam Pluta (electronics). The Moist Ink Giant Ensemble is a gaggle of extraordinary New York Metropolis musicians that come collectively to play the world’s most fun and modern music. Study extra at www.wetink.org.
About Katherine Younger
Katherine Younger’s electroacoustic music and sonic artwork makes use of expressive noises, curious timbres, and kinetic constructions. Relationship constructing and collaboration is central to her follow. The LAPhil, Chicago Symphony Orchestra’s MusicNOW, Internationales Musikinstitut Darmstadt, Third Coast Percussion, Ensemble Dal Niente, Bludenzer Tage zeitgemäßer Musik, and others have commissioned her music. She has labored intently with Moist Ink, Ensemble Nikel, WasteLAnd, Linda Jankowska, Oliva DePrato, and Yarn/Wire. Her set up work has been commissioned by the College of Chicago’s Sensible Museum of Artwork. As a bassoonist and improviser, Katherine amplifies her instrument and employs a versatile electronics setup. She has documented her work on quite a few recordings, together with her debut with Sam Scranton as Beautifulish (out December 2020 on Shinkoyo) and a duo with Anthony Braxton. She teaches composition, improvisation, and digital music at Emory College in Atlanta. Katherine is a 2021 Guggenheim Fellow in Music Composition. katherineyoung.info.
About Rick Burkhardt
Rick Burkhardt studied music composition at Harvard College, the College of Illinois, and the College of California, San Diego, the place he earned his Ph.D. in 2006. He obtained an MFA in Playwriting from Brown College in 2016.
He has obtained commissions, grants, and performances from organizations and performers such because the U.S.-Mexico Fund for Tradition, the La Jolla Symphony, Ensemble Surplus, the Boswil Basis, János Négyesy and Päivikki Nykter, Ensemble Ascolta, Pink Fish Blue Fish, the NOISE quartet, the previous(fashionable) duo, sfSound, Toca Loca, Mark Menzies, the Olympia Chamber Orchestra, the American Composers Discussion board, and Ensemble Chronophonie.
He’s a founding member of the Nonsense Firm, an experimental music / theater trio devoted to new works and new venues. The Nonsense Firm has carried out in over 30 US cities, presenting new music and theater in surprising mixtures for a variety of audiences. Their live performance in Darmstadt in 2004 was hailed as “some of the strong, free, and demanding aesthetic propositions… of the competition.” Their 2008 efficiency in NYC’s Frigid Theater Pageant was reviewed as “the should see present of the competition” and received Greatest Present and Viewers Selection awards.
Together with Alec Duffy, Dave Malloy, and Rachel Chavkin, he obtained an Obie Award for creating the play “Three Pianos” on the Ontological-Hysteric Theater in 2010. From 2013-2016 he studied Playwriting (Writing for Efficiency) at Brown College with Erik Ehn. He lives in Brooklyn, NY. www.rickburkhardt.com.
About Mariel Roberts
American cellist Mariel Roberts is well known not only for her virtuosic performances, however as a “fearless explorer” in her discipline (Chicago Reader). Her ravenous urge for food for collaboration and experimentation as an interpreter, improvisor, and composer have helped create a physique of labor which bridges avant-garde, modern, classical, improvised, and conventional music. Roberts is well known for her “technical and interpretive mastery” (I care when you pay attention) and for performances which seethe with “excruciating depth” (The Entire Notice).
Roberts has appeared as a soloist and chamber musician throughout 4 continents, most notably as a member and co-director of the Moist Ink Ensemble (named “The Greatest Classical Music Ensemble of 2018” by The New York Occasions), in addition to with the Worldwide Up to date Ensemble (ICE), Mivos Quartet, Bang on a Can All Stars, and Ensemble Sign. She performs usually on main levels for brand new music such because the Lincoln Heart Pageant (NYC), Wien Trendy (Austria), Lucerne Pageant (Switzerland), Cervantino Pageant (Mexico), Klang Pageant (Denmark), Shanghai New Music Week (China), Darmstadt Internationalen Ferienkurse für Neue Musik (Germany), and Aldeburgh Music Pageant (UK). Roberts has been featured in all kinds of excellent recordings, together with titles on Innova Information, Albany Information, New World Information, New Amsterdam, Service Information, New Focus, and Urtext Information. Roberts’ compositions have been carried out at venues reminiscent of Merkin Corridor and Miller Theater in New York Metropolis.
Roberts has launched two solo albums of recent works commissioned for her. The primary, “Nonextraneous Sounds” (2012), was famous for its “technical aptitude and beautiful sensitivity” (Composers Discussion board). 2017’s “Cartography” (2017), solidified Roberts’ place as “some of the adventurous figures on New York’s new music scene-one with a radical grounding in classical custom however a ravenous urge for food for and tireless self-discipline in new work.” (Bandcamp). www.marielroberts.com.
About Peter Evans
Peter Evans is a trumpet participant and composer based mostly in New York Metropolis since 2003. His major teams as a frontrunner are the Peter Evans Ensemble and Being & Turning into (with Joel Ross, Nick Jozwiak and Savannah Harris). Evans has been exploring solo trumpet music since 2002 and is well known as a number one voice within the discipline, having launched a number of recordings over the previous decade. He’s a member of the cooperative teams Pulverize the Sound (with Mike Satisfaction and Tim Dahl) and Rocket Science (with Evan Parker, Craig Taborn and Sam Pluta) and is continually experimenting and forming new configurations with like-minded gamers.
As a composer, he has been commissioned by the Worldwide Up to date Ensemble (ICE), Moist Ink, Yarn/Wire, the Donaueschingen Musiktage Pageant, the Jerome Basis’s Rising Artist Program, and the Doris Duke Basis. Evans has introduced and/or carried out his works at main festivals worldwide and excursions his personal teams extensively.
He has labored with among the main figures in modern music: John Zorn, Peter Broetzmann, Pauline Oliveros, Brian Ferneyhough, Kanye West, George Lewis, Anthony Braxton, Mary Halvorson, Ambrose Akinmusere, Weasel Walter, Ingrid Laubrock, Jeff “Tain” Watts, Tyshawn Sorey, Jim Black, Ikue Mori, Steve Schick, and performs with each the ICE and Moist Ink. As an interpreter of notated live performance music Evans’ has carried out works by Varese, Xenakis, Bach, Stravinsky, Elliott Carter, Marcos Balter, Agusta Learn Thomas, Roscoe Mitchell, and plenty of extra.
Evans has been releasing recordings on his personal label, Extra is Extra, since 2011. 2020 noticed the discharge of the debut recording of Being & Turning into, the entire solo efficiency from Shenzhen 2019 Into the Silence, Horizons, by the Peter Evans Ensemble and an album of requirements with German pianist Samuel Gapp. All of those releases can be found right here: peterevansmusic.bandcamp.com in digital and in some circumstances vinyl codecs. www.peterevanstrumpet.com.
About Eric Wubbels
Eric Wubbels (b.1980) is a composer and performer. Since 2004 he has been pianist and Co-Director of the Moist Ink Ensemble (NYC), and he performs usually in tasks with Mariel Roberts and Josh Modney, Weston Olencki, and Charmaine Lee, amongst others.
His music has been introduced by LA Phil Inexperienced Umbrella sequence, Huddersfield Pageant, ISSUE Undertaking Room, Roulette, Bowerbird, Chicago Symphony MusicNOW, New York Philharmonic CONTACT, Contempuls (Prague), reMusik (St. Petersburg, RU) and Zurich Tage für Neue Musik, amongst others.
Wubbels has been awarded grants and fellowships from the American Academy of Arts and Letters, NYFA, NYSCA, Fromm Basis, Chamber Music America, ISSUE Undertaking Room, MATA Pageant, Barlow Endowment, Jerome Basis, and Yvar Mikhashoff Belief, and residencies on the MacDowell Colony (’11, ’16, ’20), Copland Home, L’Abri (Geneva), Djerassi Resident Artists Program, and Civitella Ranieri Heart (Italy).
As a performer, he has given U.S. and world premieres of works by main figures reminiscent of Peter Ablinger, Richard Barrett, Beat Furrer, George Lewis, and Mathias Spahlinger, in addition to important younger artists reminiscent of Rick Burkhardt, Erin Gee, Bryn Harrison, Clara Iannotta, Darius Jones, Cat Lamb, Ingrid Laubrock, Charmaine Lee, Alex Mincek, Sam Pluta, Katharina Rosenberger, Kate Soper, and Anna Webber.
He has recorded for hatART, Service Information, Out of Your Head, Intakt, New Focus, Pi, and quiet design, amongst others, and has held instructing positions at Amherst Faculty and Oberlin Conservatory. www.wubbelsmusic.com.
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