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‘PROVING UP’ Lyric Opera of Chicago’s new music director, Enrique Mazzola, begins his season with Verdi’s “Macbeth,” but it surely’s a heartening signal of his dedication to modern work that he can even be main this fantastically bleak chamber piece by Missy Mazzoli, from 2018, about surreal struggling on the American frontier. (Jennifer Koh performs the primary performances of Mazzoli’s Violin Concerto with the Nationwide Symphony Orchestra in February and the Cincinnati Symphony Orchestra in March.) (Jan. 22-30 on the Goodman Theater, Chicago)
SONYA YONCHEVA This passionate soprano, who has had coups on the Met in “La Bohème,” “La Traviata,” “Otello,” “Luisa Miller” and “Iolanta,” is rewarded by the corporate with a solo recital on its stage, joined by the skilled pianist Malcolm Martineau. (Jan. 23 on the Metropolitan Opera, Manhattan)
‘PENELOPE’ André Previn’s remaining work — a monodrama, with textual content by the playwright Tom Stoppard, in regards to the affected person heroine of Homer’s “Odyssey” — was accomplished after his loss of life, in 2019, and now has its New York premiere. The protagonist is starrily divided between a soprano (Renée Fleming) and a talking actress (Uma Thurman), who’re joined by the Emerson String Quartet and the pianist Simone Dinnerstein. (Jan. 23 at Carnegie Corridor, Manhattan)
MUSICA VIVA Joel Thompson’s choral work “Seven Final Phrases of the Unarmed” — which set the ultimate phrases of Michael Brown, Eric Garner and 5 different Black males killed throughout encounters with the police — was written in 2014, but it surely has discovered new listeners over the previous yr. This wide-ranging ensemble will carry out it alongside works by Bach, Abbie Betinis and Shelley Washington. (Jan. 23 at All Souls Church, Manhattan)
AMERICAN SYMPHONY ORCHESTRA Our main reviver of rarities, the conductor Leon Botstein, led this orchestra in 2013 in a revealing staging of Sergei Taneyev’s grand opera “Oresteia,” little achieved since its 1895 premiere. So there will probably be further curiosity in these forces’ efficiency of Taneyev’s remaining main work, the large, gaudy cantata “On the Studying of a Psalm.” (March 24 brings a wealthy, vital program of Duke Ellington’s music for orchestra — initially scheduled for March 12, 2020, and thus one of many first pandemic cancellations.) (Jan. 28 at Carnegie Corridor, Manhattan)
February
HEARTBEAT OPERA This scrappy firm, which makes a speciality of daring rearrangements of basic works, revives its transferring 2018 adaptation of Beethoven’s “Fidelio,” which set the opera in a up to date jail and included the recorded voices of choirs from Midwestern correctional services. (Feb. 10, 12 and 14 on the Metropolitan Museum of Artwork, Manhattan)
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